Ford Brody, a Navy bomb expert, has just reunited with his family in San Francisco when he is forced to go to Japan to help his estranged father, Joe. Soon, both men are swept up in an escalating crisis when Godzilla, King of the Monsters, arises from the sea to combat malevolent adversaries that threaten the survival of humanity. The creatures leave colossal destruction in their wake, as they make their way toward their final battleground: San Francisco.
When a freighter is viciously attacked in the Pacific Ocean, a team of experts -- including biologist Niko Tatopoulos and scientists Elsie Chapman and Mendel Craven -- concludes that an oversized reptile is the culprit. Before long, the giant lizard is loose in Manhattan, destroying everything within its reach. The team chases the monster to Madison Square Garden, where a brutal battle ensues.
Follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species - thought to be mere myths - rise again, they all vie for supremacy, leaving humanity's very existence hanging in the balance.
In the year 2048, the human race is forced to leave Earth after decades of losing against Godzilla and other giant monsters. They take a twenty-year journey to another planet called Tau Ceti-e, but upon arrival, they discover that the planet has become uninhabitable. As living conditions on their ship deteriorate, a young man named Haruo spearheads a movement to return to Earth and take it back from the monsters. The ship successfully makes the return voyage, but the crew realizes that twenty thousand years have passed, with Earth's ecosystem having evolved to become centered around Godzilla.
Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.
In a time when monsters walk the Earth, humanity’s fight for its future sets Godzilla and Kong on a collision course that will see the two most powerful forces of nature on the planet clash in a spectacular battle for the ages. As Monarch embarks on a perilous mission into uncharted terrain and unearths clues to the Titans’ origins, a human conspiracy threatens to wipe the creatures, both good and bad, from the face of the earth forever.
With no means for defeating Godzilla Earth, mankind watches as King Ghidorah, clad in a golden light, descends on the planet. The heavens and earth shake once again as the war moves to a higher dimension.
A 400-foot (122-meter) dinosaur-like beast, awoken from undersea hibernation off the Japanese coast by atomic-bomb testing, attacks Tokyo.
Humanity's desperate battle to reclaim the Earth from Godzilla continues. The key to defeating the King of the Monsters may be Mechagodzilla, a robotic weapon thought to have been lost nearly 20,000 years ago.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet?
When the terrible 1960 earthquake hit Agadir, the local cinema Salam was showing Ishiro Honda and Terry O. Morse’s Godzilla, King of Monsters! Weirdly enough, it was also one of the few buildings to survive the tragedy. Many years later, Gilles Aubry visits the place trying to understand how the memory of the seismic event has survived and is transmitted to the new generations. Shot inside the cinema and in the surroundings of Agadir, the film is driven by an abstract soundtrack recorded on location.
For more than 50 years, Gojira, Mosura, Kingu Ghidorâ and other monsters at Tôhô Kabushiki Kaisha have been created with traditional, handmade special-effects techniques. Through interviews with actors, filmmakers, special-effects artists, and monster stuntmen from the golden age of Japanese sci-fi, this documentary goes behind the scenes of this unique and outlandish genre.
A young gunslinger tracks down his target in the Old West. This short served as a pre-show bumper for Cinepocalypse Genre Film Festival.
Cast and crew look back on the franchise's origins, the parallels with modern history, building a serious film, creature design, photographic style and the importance of perspective, digital effects construction, ensuring proper scale, the film's drama, Gareth Edwards' style, and more.
The Son of Bambi meets Godzilla
From the mind behind Evangelion comes a hit larger than life. When a massive, gilled monster emerges from the deep and tears through the city, the government scrambles to save its citizens. A rag-tag team of volunteers cuts through a web of red tape to uncover the monster's weakness and its mysterious ties to a foreign superpower. But time is not on their side - the greatest catastrophe to ever befall the world is about to evolve right before their very eyes.
After a 7 year hiatus, Godzilla returned to the screen to take on King Kong in the 3rd film in the Godzilla franchise. A pharmaceutical company captures King Kong and brings him to Japan, where he escapes from captivity and battles a recently revived Godzilla.
Japan is thrown into a panic after several ships explode and are sunk near Odo Island. An expedition to the island led by paleontologist Professor Kyohei Yemani soon discover something more devastating than imagined in the form of a 164 foot tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.
The United Nations assembles the ultimate weapon to defeat Godzilla, while scientists discover a fresh pteranodon egg on a remote Japanese island.
The aftermath of the Oxygen Destroyer brings forth Destoroyah, a beast intent on killing Godzilla, who is on the verge of a nuclear meltdown.
Godzilla: The Series is an American animated television series which originally aired on Fox in the United States. The show premiered on September 12, 1998, and is a direct follow-up to the American Godzilla re-imagining.
Godzilla is a 30-minute animated series co-produced between Hanna-Barbera Productions and Toho in 1978 and aired on NBC in the United States and TV Tokyo in Japan. The series is an animated adaptation of the Japanese Godzilla films produced by Toho. The series continued to air until 1981, for a time airing in its own half-hour timeslot until its cancellation.
Godzilla Island was a television show spinoff of the Godzilla franchise. It premiered on October 6, 1997, and ran for a total of 256 three-minute episodes, finishing on September 30, 1998. The series was divided into 22 different stories (Sagas). Set in 2097, most monsters live on an island out in the Pacific Ocean. The creatures living on the island include: Godzilla, Godzilla Junior, Mothra, Battra, Rodan, King Ghidorah, Mecha-King Ghidorah, Mechagodzilla, Anguirus, Gigan, Hedorah, SpaceGodzilla, Destoroyah, Baragon, King Caesar, Moguera, Megalon, Gorosaurus, Kamacuras, Jet Jaguar, and Dogora. An unusually large number of tie-in toys were produced for this series by Bandai toys, because this series was, in fact, created through the use of action figures. A CD of theme music, mostly composed by Akira Ifukube was released in 1997 by Polygram entitled 'Welcome To Godzilla Island'. In 2007, a 4-disc DVD set including every episode of the show was released in Japan at a price of 16000 yen.