Riley, now 12, is hanging out at home with her parents in San Francisco when potential trouble comes knocking: a boy shows up at the door.
A serial killer is interrupted mid-murder by the unexpected early arrival of her date for the night.
An aging trainer and a young fighter, both in need of a second chance, team-up to overcome the demons of their past...and chase the dreams of their future.
A high school girl named Riley has the ability to travel back in time and uses this power to save her friend who commits suicide.
Documentary charting the life of blues guitarist B.B. King, with contributions from fellow musicians.
In this early comedy from John Ford, Riley is a New York Irish cop sent to Germany to track down a young man who stole money from a local bakery.
Bobby is a gay man in the closet in 2003, afraid to come out to his three older brothers, even though he's at least 30 and is being pressed by his sister, his boyfriend, and his lesbian beard to tell the lads. The death of his father and a fishing trip with his brothers provide occasions when he could tell them, but he fails. When he screws his courage to the sticking point, how will they react, and how will he deal with their reactions? He imagines a movie of his rather boring life - surrounded by possibilities - but can anything overcome the insular narrow-mindedness of a big Irish Catholic family in Chicago?
The work of British painter, Bridget Riley (b.1931), pioneer of Op art. Directed by David Thompson.
A constable and his sergeant are rivals for a girl, and to impress her they both attempt to apprehend an escaped convict. Probably the first Keystone film with comedic cops; Keystone trade ads upon its release heralded as, "An uproarious 'Cop' picture."
The legendary Bela Lugosi as "the Vampire" teams up with Britain's much-loved "Mother Riley" in this hilarious comedy adventure. The Vampire plans to control the world with the help of his robot, which accidentally gets shipped to Mother Riley. Through radar control, he contacts the robot and orders it to come to him, bringing along Mother Riley! But his life is turned upside down when he holds this most meddling of mothers captive.
In the midst of rehearsals for a new play, amateur dramatics proponents Colin and Kathryn receive the shattering news that their friend George is fatally ill and only has a few months to live.
Mrs. Riley is tricked out of her licence for a pub and joins her daughter in Portugal.
A night watchman is being bludgeoned, as a safe is cracked open in the offices of the District Food Controller. A list of wartime foods to be rationed is stolen, and the police fear gangsters are planning to sell the foods on the black market. As the office charwoman, Old Mother Riley's fingerprints are all over the safe, and she becomes the police's number one suspect. To prove her innocence, Mother Riley turns detective, adopting various methods and disguises to track down the villains.
A driver on a non-stop race from New York to San Francisco gets detoured to Hollywood, where he winds up working as a publicity man for a movie studio and assigned to revive the career of a beautiful but fading star.
Old Mother Riley is a 1937 British comedy film directed by Oswald Mitchell and starring Arthur Lucan, Kitty McShane, Barbara Everest, Patrick Ludlow and Hubert Leslie. Mother Riley and her daughter stop the plans of some disinherited relatives to overturn the terms of a will. It was the first in the Old Mother Riley series of films.
Humankind narrowly avoids an apocalypse and survivors struggle to continue amidst the loss.
Old Mother Riley loses her laundry job and then battles her ex-boss in a parliamentary election.
G-Man Ted Riley (Lloyd Hughes ) is ordered to investigate happenings at Diamond Island, where a bogus Major Gray (Grant Withers) is reported engaged in manufacturing a new brand of secret gas for his own purposes. Riley blows up his motor boat just off the island and is picked up by Gray's men. On the island he discovers chemist Professor Baker (John Cowell) and his daughter, Anne (Marion Burns), are held captive by Major Gray.
Silent comedy film directed by William Beaudine..
The 13th film in the Old Mother Riley series.
The adventures of relatable and adventurous Riley Matthews, the tween daughter of Cory and Topanga Matthews, and her bold best friend Maya as they traverse the twists and turns of teenage years at Manhattan's John Quincy Adams Middle School where Riley's dad is their History teacher.
The Life of Riley, with William Bendix in the title role, is a popular American radio situation comedy series of the 1940s that was adapted into a 1949 feature film, a long-run 1950s television series, and a 1958 comic book. The show began as a proposed Groucho Marx radio series, The Flotsam Family, but the sponsor balked at what would have been essentially a straight head-of-household role for the comedian. Then producer Irving Brecher saw Bendix as taxicab company owner Tim McGuerin in Hal Roach's The McGuerins from Brooklyn. The Flotsam Family was reworked with Bendix cast as blundering Chester A. Riley, a wing riveter at the fictional Cunningham Aircraft plant in California. His frequent exclamation of indignation—"What a revoltin' development this is!"—became one of the most famous catchphrases of the 1940s. It was later reused by Benjamin J. Grimm of the Fantastic Four. The radio series also benefited from the immense popularity of a supporting character, Digby "Digger" O'Dell, "the friendly undertaker".
Life of Riley is a British comedy television series, shown on BBC One and BBC HD. The show stars Caroline Quentin and Neil Dudgeon, who are recently married, and is set around their dysfunctional family. The show also features the couple's four children, Danny, Katy, Ted, and Rosie. After three series it was confirmed that the show had been cancelled.
A high school girl named Riley has the ability to travel back in time and and change her past.